<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5742425796144821732</id><updated>2011-08-06T09:26:20.395-04:00</updated><title type='text'>TransSugar</title><subtitle type='html'>Dichotomies on the field / Don't ride the fence.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>17</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-2516161055273280849</id><published>2010-11-09T00:49:00.000-05:00</published><updated>2010-11-09T00:49:59.743-05:00</updated><title type='text'>An Anthology Called Oil &amp; Water. I'm in it.</title><content type='html'>&lt;a href="http://www.typecastpublishing.com/store/oilandwater/"&gt;http://www.typecastpublishing.com/store/oilandwater/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.typecastpublishing.com/wp-content/uploads/2010/10/Oilandwater3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://www.typecastpublishing.com/wp-content/uploads/2010/10/Oilandwater3.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;Typecast Publishing (a Louisville and St. Louis hookup), ran by Jen Woods and Eric Woods, (brother and sister combo) is putting out this great text in response to the moral mistreatment of the gulf coast's waterways, ecosystems, and laborers. Please, please check it out. iPhone, kindle, e-book, pdf, regular old school hard copy, etc... Please.&lt;br /&gt;&lt;br /&gt;Thank you.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-2516161055273280849?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/2516161055273280849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/11/anthology-called-oil-water-im-in-it.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/2516161055273280849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/2516161055273280849'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/11/anthology-called-oil-water-im-in-it.html' title='An Anthology Called Oil &amp; Water. I&apos;m in it.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-8220807249143248430</id><published>2010-09-30T11:31:00.000-04:00</published><updated>2010-09-30T11:31:19.012-04:00</updated><title type='text'>Read the Next-To-Latest Issue of The Poetry Project Newsletter</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://poetryproject.org/wp-content/uploads/PP_Newsletter_APRMAY_proof_FINAL2-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://poetryproject.org/wp-content/uploads/PP_Newsletter_APRMAY_proof_FINAL2-1.jpg" width="264" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://poetryproject.org/wp-content/uploads/PP_Newsletter_APRMAY_proof_FINAL2.pdf"&gt;http://poetryproject.org/wp-content/uploads/PP_Newsletter_APRMAY_proof_FINAL2.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I interviewed Cecilia Vicuna. Yeah!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-8220807249143248430?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/8220807249143248430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/09/read-next-to-latest-issue-of-poetry.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8220807249143248430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8220807249143248430'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/09/read-next-to-latest-issue-of-poetry.html' title='Read the Next-To-Latest Issue of The Poetry Project Newsletter'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-1257684222293609797</id><published>2010-09-18T11:39:00.000-04:00</published><updated>2010-09-18T11:39:30.139-04:00</updated><title type='text'>So many great poets and poems. Foreffinreals.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://sites.google.com/site/jacket-notes/_/rsrc/1249688020366/Home/recent-books/theoxfordbookoflatinamericanpoetry/latinamericanpoetry.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://sites.google.com/site/jacket-notes/_/rsrc/1249688020366/Home/recent-books/theoxfordbookoflatinamericanpoetry/latinamericanpoetry.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://coldfrontmag.com/reviews/the-oxford-book-of-latin-american-poetry-2"&gt;http://coldfrontmag.com/reviews/the-oxford-book-of-latin-american-poetry-2&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-1257684222293609797?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/1257684222293609797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/09/so-many-great-poets-and-poems.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/1257684222293609797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/1257684222293609797'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/09/so-many-great-poets-and-poems.html' title='So many great poets and poems. Foreffinreals.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-712730600586819360</id><published>2010-09-13T20:39:00.001-04:00</published><updated>2010-09-13T20:40:39.696-04:00</updated><title type='text'>The LETTER HOME reading series  &amp;  TYPECAST PUBLISHING join forces:</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_9w7DQx-c8jQ/TI7EaF68TnI/AAAAAAAAAFU/m-WrLsvAVjg/s1600/bardspoets.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_9w7DQx-c8jQ/TI7EaF68TnI/AAAAAAAAAFU/m-WrLsvAVjg/s320/bardspoets.png" /&gt;&lt;/a&gt;&lt;/div&gt;For the 5.3 version of the Letter Home reading series, we are honored to merge military forces with the Armada-esque &lt;a href="http://www.typecastpublishing.com/"&gt;TYPECAST PUBLISHING&lt;/a&gt;.&amp;nbsp; We will be hosting a heqq of an event in Brooklyn on October 30. Check below for all the information you could possibly need and/or the &lt;i&gt;ponzi schematic&lt;/i&gt; as devised by me for publication with the &lt;a href="http://observatoryroom.org/directions/"&gt;OBSERVATORY&lt;/a&gt; listserv:&amp;nbsp; &lt;br /&gt;&lt;br /&gt;(And, please begin as many sentences with "and" as you can.)&lt;br /&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.facebook.com/home.php?ref=home#%21/event.php?eid=155267137833000&amp;amp;ref=ts"&gt;&lt;b&gt;Bards and Bourbon: A Reading With Poets Michael Morse and Matthew Lippmann&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;Saturday, October 30 • 7 PM&lt;br /&gt;FREE&lt;br /&gt;Presented by Typecast Publishing &amp;amp; the Letter Home Reading Series&lt;br /&gt;&lt;br /&gt;Bourbon, in the early twentieth century, fought its way back from the gloomy depths of American federal prohibition.&amp;nbsp; Poetry continues to scrape its way into the living rooms, radios, ears, and minds of literate Americans.&amp;nbsp; Combining these two forces creates infinite possibilities and a multiplicity of manifold-dimensional experiences.&amp;nbsp; Neuroscientists and physicists alike advise that no one should stand under the normal umbrellas of apathy when the combination of a good bourbon cocktail and a first-rate poem mingle in the same ether.&lt;br /&gt;&lt;br /&gt;So, for this performative celebration, we are bringing together sour-mash-straight-bourbon-whiskey direct from Kentucky (in the cocktail, neat, shaken, or iced formats) and, for your listening pleasure, two wonderful poets.&amp;nbsp; Of the utmost importance, which is to say, last and not least, we will also be celebrating the new release of &lt;b&gt;Matthew Lippman&lt;/b&gt;’s book &lt;i&gt;Monkey Bars&lt;/i&gt; (he’s one of the poets who will be reading).&amp;nbsp; Lippman’s dear friend, the fantastic &lt;b&gt;Michael Morse&lt;/b&gt;, will also donate his word-compositions to the listening audience.&amp;nbsp; We will be scientifically examining the effects and minusculeties of what occurs when a Kentucky press undertakes the long journey to Brooklyn.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Matthew Lippman&lt;/b&gt; claims that he aspires to have his poetry to do many things:&amp;nbsp; "I want my poetry to entertain the masses.&amp;nbsp; I want my poems to be in waiting areas at the dentist office where a woman, a geologist, let's say, picks up my book and flips to page 36 where she finds a poem about a father and his daughter going for a drive, almost getting mowed down by a woman who runs a stop sign.&amp;nbsp; I want that geologist to laugh when she reads the poem.&amp;nbsp; I want her to be as compelled by the poem as she might be about a piece of granite she finds in Italy at an excavation site.&amp;nbsp; I want the poem to make her feel sad and sweet and pure up until the minute she lay back in the dentist's chair to get a cavity filled and even then, for the poem to tickle her somewhere inside while the drill bit makes that whirring sound right before the DDS begins to do her thing."&lt;i&gt;&amp;nbsp; &lt;/i&gt;Lippman's second collection, &lt;i&gt;Monkey Bars&lt;/i&gt;, is published by Typecast Publishing.&amp;nbsp; His first collection, &lt;i&gt;The New Year of Yellow&lt;/i&gt;, won the Kathryn A. Morton Poetry Prize and is published by Sarabande Books.&amp;nbsp; He teaches at Beaver Country Day School in Chestnut Hill, MA.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Michael Morse&lt;/b&gt;’s main poetic goal is &lt;i&gt;to have the poems be musical as they provoke thought and feeling&lt;/i&gt;.&amp;nbsp; Morse teaches English at the Ethical Culture Fieldston School in New York City and poetry at the Iowa Summer Writing Festival and Gotham Writers' Workshop.&amp;nbsp; He was a fellow at the Fine Arts Work Center in Provincetown from 2008–20110, and his poems have appeared in various journals, including &lt;i&gt;Agni&lt;/i&gt;, &lt;i&gt;A Public Space&lt;/i&gt;, &lt;i&gt;The Canary&lt;/i&gt;, &lt;i&gt;The Literary Review&lt;/i&gt;, &lt;i&gt;Tin House&lt;/i&gt;, &lt;i&gt;Ploughshares&lt;/i&gt;, &lt;i&gt;Spinning Jenny&lt;/i&gt;, and the &lt;i&gt;Iowa Review&lt;/i&gt;.&amp;nbsp; Work can also be found in &lt;i&gt;Starting Today: 100 Poems for Obama's First 100 Days&lt;/i&gt; (The University of Iowa Press) and on the From the Fishouse website (&lt;a href="http://www.fishousepoems.org/" target="_blank"&gt;www.fishousepoems.org&lt;/a&gt;).&lt;/span&gt;      &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-712730600586819360?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/712730600586819360/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/09/letter-home-reading-series-typecast.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/712730600586819360'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/712730600586819360'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/09/letter-home-reading-series-typecast.html' title='The LETTER HOME reading series  &amp;  TYPECAST PUBLISHING join forces:'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9w7DQx-c8jQ/TI7EaF68TnI/AAAAAAAAAFU/m-WrLsvAVjg/s72-c/bardspoets.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-3920253277856446547</id><published>2010-09-08T14:51:00.000-04:00</published><updated>2010-09-08T14:51:01.927-04:00</updated><title type='text'>Read what I wrote. Futurepost.</title><content type='html'>&lt;a href="http://futurepoem.wordpress.com/2010/09/08/ken-l-walker-responds-to-mina-pam-dicks-first-person-of-truth/"&gt;http://futurepoem.wordpress.com/2010/09/08/ken-l-walker-responds-to-mina-pam-dicks-first-person-of-truth/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Chris Martin, one of the editors over at Futurepoem, asked if I'd respond to this wonderful book of poetry. Not quite a review, not quite a poem, not quite anything delicious but certainly something worthy of a ten minute perusal.&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-3920253277856446547?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/3920253277856446547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/09/read-what-i-wrote-futurepost.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/3920253277856446547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/3920253277856446547'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/09/read-what-i-wrote-futurepost.html' title='Read what I wrote. Futurepost.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-8064731009643979069</id><published>2010-06-18T14:10:00.000-04:00</published><updated>2010-06-18T14:10:22.098-04:00</updated><title type='text'>The Brooklyn Review -- vol. 27 -- a PAWTY PAWTY.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://cdn.ticketfly.com/i/00/00/02/06/63-atlg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://cdn.ticketfly.com/i/00/00/02/06/63-atlg.jpg" width="212" /&gt;&lt;/a&gt;&lt;/div&gt;Littlefield is a great venue in Gowanus/Northwesternesque Park Slopeish. I am performing with a tape recorder and many other respectable criminals.&lt;br /&gt;&lt;br /&gt;Here is the real information. Invite folks. 3 buck beers. Poetry. Music. Plays, etc... Free magazines.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/home.php?ref=home#%21/event.php?eid=135344729813392&amp;amp;ref=ts"&gt;http://www.facebook.com/home.php?ref=home#!/event.php?eid=135344729813392&amp;amp;ref=ts&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-8064731009643979069?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/8064731009643979069/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/06/brooklyn-review-vol-27-pawty-pawty.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8064731009643979069'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8064731009643979069'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/06/brooklyn-review-vol-27-pawty-pawty.html' title='The Brooklyn Review -- vol. 27 -- a PAWTY PAWTY.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-8795783121286259903</id><published>2010-05-24T09:51:00.000-04:00</published><updated>2010-05-24T09:51:59.274-04:00</updated><title type='text'>PERFORMANCES of late. 5/27   &amp;   5/30   : Note</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://profile.ak.fbcdn.net/object2/1250/65/n128862187125598_1713.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://profile.ak.fbcdn.net/object2/1250/65/n128862187125598_1713.jpg" width="257" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;I will be performing a silhouette of poems with my friends Ted Dodson and Andy Reynolds. Our band name is tentatively The Research Based Trio. The silhouette is entitled GENUINE DISPLAY and deals with the progress of progress, the invention of invention, moving from the invention of paper to money to the encyclopedia, to google and the ipod.&lt;br /&gt;&lt;br /&gt;Here are the facebook links for the events. Invite whom ever.&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_1650849978"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=122568027762755"&gt;http://www.facebook.com/event.php?eid=122568027762755&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://profile.ak.fbcdn.net/object2/1011/20/n122568027762755_457.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://profile.ak.fbcdn.net/object2/1011/20/n122568027762755_457.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.facebook.com/event.php?eid=122568027762755#%21/event.php?eid=128862187125598&amp;amp;ref=mf"&gt;http://www.facebook.com/event.php?eid=122568027762755#!/event.php?eid=128862187125598&amp;amp;ref=mf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://profile.ak.fbcdn.net/object2/1250/65/n128862187125598_1713.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-8795783121286259903?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/8795783121286259903/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/05/performances-of-late-527-530-note.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8795783121286259903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8795783121286259903'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/05/performances-of-late-527-530-note.html' title='PERFORMANCES of late. 5/27   &amp;   5/30   : Note'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-8856466886583876766</id><published>2010-04-29T15:47:00.000-04:00</published><updated>2010-04-29T16:12:06.573-04:00</updated><title type='text'>LETTER HOME Reading 4.4</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nn5ZDwx6I/AAAAAAAAAE0/j1UgJDpu9Qs/s1600/LETTER+HOME+updated.+transsugar+event.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nn5ZDwx6I/AAAAAAAAAE0/j1UgJDpu9Qs/s320/LETTER+HOME+updated.+transsugar+event.png" alt="" id="BLOGGER_PHOTO_ID_5465654595956033442" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nn5MzxCxI/AAAAAAAAAEs/IKSdBisEPJ0/s1600/LETTER+HOME+may+6+reading.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nn5MzxCxI/AAAAAAAAAEs/IKSdBisEPJ0/s320/LETTER+HOME+may+6+reading.png" alt="" id="BLOGGER_PHOTO_ID_5465654592667716370" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Once again, the ol' Letter Home reading series is striking its own chord. This is version 4.4. Changes to be noted: It's on Thursday this go-round, not Tuesday. We may start a bit BEFORE 7 pm. Come early Drink often. Cash only.&lt;br /&gt;&lt;br /&gt;The reading is located at Frank's Lounge in Walt Whitman's/Mos Def's Fort Greene:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://maps.google.com/maps/place?oe=utf-8&amp;amp;rls=org.mozilla:en-US:official&amp;amp;client=firefox-a&amp;amp;um=1&amp;amp;ie=UTF-8&amp;amp;q=Frank%27s%20Lounge&amp;amp;fb=1&amp;amp;gl=us&amp;amp;hq=Frank%27s%20Lounge&amp;amp;hnear=New%20York&amp;amp;cid=6105632973062977335"&gt;Frank's Lounge&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here is the Facebook link. Organize your electronic calendar, invite anyone you want:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/event.php?eid=120655074617980"&gt;Letter Home 4.4&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And, most importantly, here is the list of the readers-to-be:&lt;br /&gt;&lt;br /&gt;FEATURING:&lt;br /&gt;&lt;br /&gt;L.S. "Lou" Asekoff &lt;a href="http://www.newyorker.com/fiction/poetry/2008/09/15/080915po_poem_asekoff"&gt;(The Gate of Horn)&lt;/a&gt;&lt;br /&gt;Ellen Hagan &lt;a href="http://www.ellenhagan.com/ellenhagan/welcome.html"&gt;(E.H.)&lt;/a&gt;&lt;br /&gt;Ted Dodson&lt;br /&gt;Sarah Autumn Feeley&lt;br /&gt;Benjamin Gassman&lt;br /&gt;Ariel Stess&lt;br /&gt;&lt;br /&gt;Looking forward like a couch.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-8856466886583876766?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/8856466886583876766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/04/letter-home-reading-44.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8856466886583876766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8856466886583876766'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/04/letter-home-reading-44.html' title='LETTER HOME Reading 4.4'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nn5ZDwx6I/AAAAAAAAAE0/j1UgJDpu9Qs/s72-c/LETTER+HOME+updated.+transsugar+event.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-8597292577905190107</id><published>2010-03-07T09:34:00.000-05:00</published><updated>2010-03-07T09:35:32.880-05:00</updated><title type='text'>a room to live in.</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Attention Brooklyn&lt;/span&gt;: Rent my room for &lt;span style="font-weight:bold;"&gt;$675&lt;/span&gt; a month. Park Slope. Above Gorilla Coffee. 5 blocks from Atlantic/Pacific station. Best bars within drunk-walking distance. Please tell your friends, friends. Thanks.&lt;p&gt; E-mail me at KLConscious@gmail.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-8597292577905190107?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/8597292577905190107/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/03/room-to-live-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8597292577905190107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/8597292577905190107'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/03/room-to-live-in.html' title='a room to live in.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-7246983275882278454</id><published>2010-02-21T17:45:00.001-05:00</published><updated>2010-06-20T10:12:47.966-04:00</updated><title type='text'>Toe to Toe with a Frenchie.</title><content type='html'>&lt;equiv="content-type" content="text/html; charset=utf-8"&gt;&lt;meta content="Word.Document" name="ProgId"&gt;&lt;/meta&gt;&lt;meta content="Microsoft Word 10" name="Generator"&gt;&lt;/meta&gt;&lt;meta content="Microsoft Word 10" name="Originator"&gt;&lt;/meta&gt;&lt;link href="file:///C:%5CUsers%5COwner%5CAppData%5CLocal%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml" rel="File-List"&gt;&lt;/link&gt;&lt;o:smarttagtype name="country-region" namespaceuri="urn:schemas-microsoft-com:office:smarttags"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype name="place" namespaceuri="urn:schemas-microsoft-com:office:smarttags"&gt;&lt;/o:smarttagtype&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:Garamond; 	panose-1:2 2 4 4 3 3 1 1 8 3; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:647 0 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:none; 	mso-layout-grid-align:none; 	punctuation-wrap:simple; 	text-autospace:none; 	font-size:10.0pt; 	font-family:"Times New Roman"; 	mso-fareast-font-family:"Times New Roman"; 	mso-font-kerning:14.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.6in; 	mso-page-numbers:1; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;/equiv="content-type"&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; 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&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 14pt; font-variant: small-caps;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 14pt; font-variant: small-caps;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_9w7DQx-c8jQ/S4G43gDwrVI/AAAAAAAAAD0/q-i6fZ5Uftg/s1600-h/01-07-07_1017.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5440833088478293330" src="http://2.bp.blogspot.com/_9w7DQx-c8jQ/S4G43gDwrVI/AAAAAAAAAD0/q-i6fZ5Uftg/s320/01-07-07_1017.jpg" style="cursor: pointer; float: left; height: 179px; margin: 0pt 10px 10px 0pt; width: 239px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 14pt; font-variant: small-caps;"&gt;A Bit of Heidegger and a Tad of White Western Philosophy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[copyright] &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;i&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;Ken L. Walker&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;INTRODUCTION&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;Recently, Emmanuel Faye (French) wrote a book which seeks to re-engage an old debate, that of Heidegger’s philosophical thinking/lecturing and writing, that it should be re-shelved as “Nazi Studies” rather than Philosophy.  The book, released in 2005, is now out in English -- debate, re-stirred.  Faye is clearly appalled with Heidegger’s hate-filled actions and inactions, calling him “an appropriated idiot.”  Many critical reviewers agree with Faye, ridiculing Heidegger as a philosophical “hack” and asserting that the German existential-founder was “overrated in his prime.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn1" name="_ednref1" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[i]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  The impasse here is that, certainly, Heidegger commiserated swastika-hate, but he is simply a link on the chain of ontology’s consistent history to invent and re-work normative hierarchies -- the foundations of modern day racism and ethnocentrism.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            What I hope to construct here is that the breadth of Western philosophy pursues very hierarchically ethnocentrist and racist conventions&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;from Aristotle (placating &lt;i&gt;natural slavery&lt;/i&gt;) to Immanuel Kant’s detestable statements about the inherent ignorance of black folks (as well as his &lt;i&gt;Herrenvolk &lt;/i&gt;and &lt;i&gt;Untermenschen&lt;/i&gt; personhood) to Thomas Jefferson’s hypocritical presentations of equality (while simultaneously raping his slaves), all the way up to Martin Heidegger’s endorsement and carrying-out of National Socialist/Nazi ideas; however, that critics might have these so-called “great thinkers” removed from the scope of ontological, existential and epistemological discourse is irrational and a would-be failure in regards to scoping out philosophical historicity properly.  Instead, there should only be a perpetual admonishing, a consistent, interruptive notation that “whiteness” as well as “invisibility” are not only socioeconomic and political handiwork, but philosophical rehearsals that began somewhere (past, history) and have continued on elsewhere (present, the possible future) through those momentous foundations.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;HISTORICAL SUFFICING &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;Charles W. Mills is one of the few Black philosophers working in the &lt;/span&gt;&lt;st1:country-region&gt;&lt;st1:place&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;United States&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;, and has progressed the “Racial Contract” theory, luring a tradition that began with Jean-Jacques Rousseau (&lt;i&gt;The Social Contract&lt;/i&gt;) and was later reconstructed with a feminist flag by Carol Pateman (&lt;i&gt;The Sexual Contract&lt;/i&gt;).  Mills explains that the “contract” has always been authoritatively escorted by “whiteness” in that:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;(i) tacit or overt racial markers originally limited who counted as full “man” or “person,” so that moral egalitarianism restricted to whites and (ii) “absolutist” rule was &lt;i&gt;sanctioned&lt;/i&gt; for nonwhite populations, e.g., in aboriginal expropriation, slavery, colonialism, etc. and (iii) the oppressive social institutions imposed on nonwhites were not created by them but &lt;i&gt;forced&lt;/i&gt; on them by the white population; and (iv) finally, (most crucially), the inclusion of nonwhites in contemporary updated versions of the contract will only be nominal &lt;i&gt;unless this differential history is somehow registered in the apparatus and corrected for, so as to achieve genuine egalitarianism.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn2" name="_ednref2" title=""&gt;&lt;sup&gt;&lt;b&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 10pt;"&gt;[ii]&lt;/span&gt;&lt;/sup&gt;&lt;/b&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-size: 9pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;The key term Mills inserts in the overview of his RC theory is &lt;i&gt;genuine&lt;/i&gt;, a well-lit orb which is only viewable by a certain section of individuals -- in the case of historico-philosophical racism, where “egalitarianism” continues to be looked at, from over a two-faced, duplicitous shoulder.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Race, according to basic anthropological study, and as an actual (beyond semantics) concept can be broken down two-fold: (1) phenotypical (physical appearance) and (2) genealogical (familial history).  These are basic anthropological statements that make use of their own scientific neutrality.  An anthropologist intellectually examines the phenotypical and genealogical differences between various human beings and cultures.  Terms like “black” and “white” only &lt;i&gt;appear&lt;/i&gt; to be neutral when exercised anthropologically.  When political, social, economic or cultural, etc.. they &lt;i&gt;appear &lt;/i&gt;to be objective but open to construal analysis.  Where the concept becomes haunting and historically criminal is the creation of spatial and normative psychological, geographic, and ideological hierarchies thru specific historical events (the trans-Atlantic slave trade, various wars, cultural practices via the media, religion, etc).  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Much of this norm-making and hierarchical creation spawns out of Europe’s Enlightenment.  When Thomas Hobbes discusses “nature” and “man,” (far from Aristotle) two things are important to examine:  (1) what does Hobbes mean by “nature” and as opposed to what; more importantly, (2) “man,” with a post-modern hindsight, is seen as &lt;i&gt;land-working, land-owning, non-slave &lt;/i&gt;man (not women, not slaves, not ‘savages” etc.).  The definition of both “nature” and “man” (the brute) is then contorted slightly because it is not a neutral term for Hobbes.  Likewise, in &lt;i&gt;The Second Treatise&lt;/i&gt;, John Locke explicates that the State should be created out of a desire to equalize power and make it reciprocal.  Locke’s work had perhaps the largest direct philosophical influence on American idealists like Thomas Jefferson and John Adams.  Locke, (comparable to Jefferson and Adams) invested in the Royal Africa slave-trading company and would also, after the &lt;i&gt;Second Treatise&lt;/i&gt; was popularized, help write the Carolina slave constitution.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn3" name="_ednref3" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[iii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  However, his theoretical assertions of equality continue to permeate democratically-driven entities but are also saturated out of a disgusting history of mass-murder, beatings, lynchings, and cultural imperialism.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Immanuel Kant created many hierarchically-driven conceptions:  what &lt;i&gt;genius&lt;/i&gt; is, what it means to be a &lt;i&gt;subjective entity &lt;/i&gt;via &lt;i&gt;Herrenvolk&lt;/i&gt;.  His idealisms spawned quite an important notion&lt;/span&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;the individual, the human being -- while intensifying Rene Descartes’ subjectivism.  One thinks and &lt;i&gt;is&lt;/i&gt; and thus possesses &lt;i&gt;pure&lt;/i&gt; reason out of that existence-made thought. Yet, in 1775, Kant wrote an essay entitled, “The Different Races of Mankind” in which he pointed out that &lt;i&gt;race&lt;/i&gt; is a permanent and immutable factor of social life.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn4" name="_ednref4" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[iv]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  This would not be a colossal breach of humanity-making were it not for the fact that Kant is quite possibly the father of &lt;i&gt;modern morality&lt;/i&gt;.  Somehow, racist impressions like Kant’s and Locke’s (beyond even their actions) went largely ignored and are immersed in the massive amount of sociocultural aphasia that “white” is so capable of.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            If it can be agreed upon that slavery (an &lt;i&gt;en masse&lt;/i&gt; series of criminal actions) carries the bulk of the foundation of Western racism, and that we live now &lt;i&gt;under&lt;/i&gt; its legacy, and that slavery is considered a global act of modernity, then that is fine, but it is not enough of an agreement.  If any obvious faction of genocide can be collected under a heading of human-transgression, as criminal act, as immoral act, as a series of murder, then anyone who refuses to cease what should be seen as morally erroneous is then, also, a &lt;i&gt;criminal&lt;/i&gt;.  Silence (non-communication) on an issue is, nevertheless, communication.  Silence is also a privilege, a notation of invisibility, a proof that one possesses the prowess to &lt;i&gt;say nothing&lt;/i&gt;, to remain quiet (See: Miranda &lt;i&gt;Rights&lt;/i&gt;).  This can be re-applied to any intelligent being withholding from the necessary praxis of dialogue because one is allowed to.  There are examples which do not follow along this privileged parallel of &lt;i&gt;silence&lt;/i&gt; regarding Europe and America’s racist felonies (Ralph Waldo Emerson funding and housing abolitionists, Jean-Paul Sartre asking his fellow French nationals to take up arms &lt;i&gt;with &lt;/i&gt;the Algerians as they fought for national independence, or Michel Foucault discussing race a creation of discipline, a sovereign entity).  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Martin Heidegger, like Paul DeMan and many others entered into an equivalent type of silence, while also conciliating one of human history’s quickest murder apparatuses -- the Nazi regime.  Also of note, M.H. thought/wrote/taught in the period previously discussed, the current era, the &lt;i&gt;legacy&lt;/i&gt; (not the reality) of slavery, and thus has &lt;i&gt;even less&lt;/i&gt; right to condone any sort of genocide.  The distinction between many intelligent Nazi/German mid-twentieth century intellectuals and Martin Heidegger is that Heidegger is arguably philosophy’s most important thinker of the 1900s, as was the eighteenth century for Immanuel Kant.  M.H. must be singled out (from DeMan, Hitler, etc.) because he philosophized poetry, art, etc., as well as, most importantly re-examining the topic Aristotle never finished completing -- existence (&lt;i&gt;being&lt;/i&gt;) itself.  His importance to modern/contemporary/postmodern Western philosophy is &lt;i&gt;asterisked&lt;/i&gt; by membership and vocal support for &lt;i&gt;one&lt;/i&gt; of the worst political factions the modern world has ever seen.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            M.H. joined the Nazi party in 1933 after becoming rector of Freiburg University,&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn5" name="_ednref5" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[v]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  where he was in charge of firing every Jewish professor.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Aristotle, Heidegger’s delineated debate participant, is exceptional in regards to modern models of race.  Though he pacified any anti-slavery ideals, race was a non-concept in Greece.  Binary systems of race were unheard of.  Though, Aristotle may have been ethnocentric when purporting ideas of slavery, of subservience, of picking out &lt;i&gt;natural slaves&lt;/i&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn6" name="_ednref6" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[vi]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;i&gt; &lt;/i&gt;from a group of human beings.  Yet and still, Aristotleian theory develops concepts of personhood, &lt;i&gt;master&lt;/i&gt; over &lt;i&gt;slave&lt;/i&gt;.  That same disgustingly evil notion rivals the modern practices like The Final Solution or the TransAtlantic Slave Trade.  Still, even Aristotle while acknowledging and accepting a hierarchy like &lt;i&gt;master &lt;/i&gt;and &lt;i&gt;slave&lt;/i&gt; could never have predicted a binary system of hate (like racism, etc.).  Most working philosophers would disagree with this, saying that there is anti-racist tradition, which there definitely is (from Plato to Emerson to Sartre) but at the point of “whiteness” (the height of the racial hierarchy) being invisible one finds that non-action is action as well.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Thinkers like Aristotle, Locke, Jefferson, Kant, did not create racism or &lt;i&gt;raced space&lt;/i&gt;, on their own, but they did patent and re-distribute the range of philosophical thought.  That, &lt;i&gt;in&lt;/i&gt; and &lt;i&gt;of &lt;/i&gt;itself is a vast wilderness to explore, a wilderness in whose innovativeness, there lacked a certain wherewithal to judge humanity without hierarchy, without &lt;i&gt;same &lt;/i&gt;being better than &lt;i&gt;other.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;b&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;WHITENESS IMPLICATIONS&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt 40.5pt; text-align: justify;"&gt;&lt;b&gt;              &lt;/b&gt;&lt;span style="font-family: Garamond;"&gt;There is no more powerful position than that of being ‘just’ human.  The claim to power, philosophically and otherwise, is the claim to speak for the commonality of humanity.  Raced people cannot do that&lt;/span&gt;&lt;span style="font-family: Garamond;"&gt;they can only speak for their race. But, non-raced people can, for they do not represent the interests of a race.  The point of seeing the philosophical racing of whites is to dislodge them/us from the position of power, with all the inequities, oppression, privileges and sufferings in its train, dislodging them/us by undercutting the authority with which they/we speak and act in and on the world.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn7" name="_ednref7" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 10pt;"&gt;[vii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt 40.5pt; text-align: justify;"&gt;&lt;span style="font-size: 9pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;If, the race-making of humanity has any reduction capability, it may be found in the creation of White Privilege Studies, a brand new academic field (coming to fruition in the late 1990s).  The notion that a corrective amendment has to be placed on socio-philosophical fields is powerful enough to re-engage the entire scope of philosophy.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            A coin rests on a table, let’s say, and it has been the tail-side showing for somewhere around five hundred years.  Many important folks knew the coin could be turned over, that the heads-side could be shown for awhile, but not many had the courage to actually do so.  Tim Wise, through the words of James Baldwin, says that being white means never having to think about it.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn8" name="_ednref8" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[viii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  Race is an issue for the &lt;i&gt;raced&lt;/i&gt;.  DuBois discussed this form of victimization like a double veil.  The &lt;i&gt;raced&lt;/i&gt; person must consider, in the DuBoisian sense, his or her own blackness &lt;i&gt;as well as&lt;/i&gt; his or her humanity.  This paradigm is reconstructed via the false egalitarianism that hypocritical systems of humanity once created.  This consideration would not be far off from systems of hate like Brazil, Nazi-run Germany, et cetera.  We/they have inherited an ideological history and historicity that does not ever fully alleviate us/them because of the long stationary position the philosophical system has been in.  Of course, since it is a philosophical system, it is also a socioeconomic and political system as well.  It is never one without the other, at least prior to hyper-modernity, postmodernity, et cetera, prior to the twentieth century, just to be safe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            There is a system of hierarchy that fits in here paradoxically, that of &lt;i&gt;class.  &lt;/i&gt;A white person could certainly claim &lt;i&gt;poverty &lt;/i&gt;(economically-related hierarchical oppression), yet when a “black” person claims poverty, it is coilingly tied to being &lt;i&gt;raced &lt;/i&gt;and &lt;i&gt;made poor&lt;/i&gt;.&lt;i&gt;  &lt;/i&gt;This simple claim to poverty is weighed down with multiple anchors; a quiet consideration is never made.  When one sees Kant’s statement that a man was “quite black from head to foot, a clear proof that what he said was stupid,”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn9" name="_ednref9" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[ix]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt; and compares that with Locke’s actions, as well as, Heidegger’s activity and, then, later silence on &lt;i&gt;the&lt;/i&gt; Nazi issue, one may be able to make the connections of philosophy’s responsibility to cease the &lt;i&gt;racing&lt;/i&gt; of hierarchies. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            David Hume and Voltaire can be recognized in this string of concession-incidence as well.  Voltaire exclaimed the differences of races as two dog breeds.  Hume claimed a &lt;i&gt;natural&lt;/i&gt; difference, one which is irrefutable.  Again, this would not matter, as the modern and postmodern world possesses a manifold essence; however, whiteness is a race creation (just as in an Aryan-Jew format) that develops a pecking order of power, unlike any other the world had known previous to the first colonially-related events.  The connection that can made within this long trajectory is &lt;i&gt;not only&lt;/i&gt; a lack of concern for the true definition of the human being, of there being a closed door on the &lt;i&gt;same&lt;/i&gt;/&lt;i&gt;other&lt;/i&gt; hierarchical recognition, but a disregard of the privilege that possibly allows someone to remain in an &lt;i&gt;office of silence&lt;/i&gt;.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;i&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            I &lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;am not an atomic individual; in fact, &lt;i&gt;I &lt;/i&gt;(a white person) am a &lt;i&gt;creation &lt;/i&gt;and a &lt;i&gt;victim&lt;/i&gt; and a &lt;i&gt;signer&lt;/i&gt; of these hierarchies and must thus, not be silent about them as an issue, yet this &lt;i&gt;I&lt;/i&gt; also has the &lt;i&gt;privilege&lt;/i&gt; to not speak at all.  Now, if that same &lt;i&gt;I &lt;/i&gt;is reversed as “other” (black, Jew), those considerations are reversed within their semiotics and semantics.  &lt;i&gt;Creation &lt;/i&gt;and &lt;i&gt;victim &lt;/i&gt;become opposites, while &lt;i&gt;signer&lt;/i&gt; becomes &lt;i&gt;not allowed to hold a pen&lt;/i&gt;.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Charles Mills emphasizes that there must be: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt 1in; text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;a distinguishing “between whiteness as phenotype/geneaology and Whiteness as political commitment to white supremacy, thus making conceptual room for ’white renegades’ and ’race traitors.’ . . .  [The] aim is not. . . to eliminate race (not as innocent human variety but as onotological superiority and inferiority, as differential entitlement and privilege) altogether.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn10" name="_ednref10" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 10pt;"&gt;[x]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Garamond;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;Some might say that even philosophically-speaking, &lt;i&gt;race&lt;/i&gt; can possibly be eliminated by ignoring the political circumstances that are involved with racial/ethnic hierarchies.  Ignoring (color blindness, etc.) has also long been a problem of Western philosophy and can be said to be wrapped up in the notion of the &lt;i&gt;invisibility &lt;/i&gt;that makes resting atop an sociopolitical apex so easy.  Moreover, attention to the &lt;i&gt;invisibility &lt;/i&gt;(whiteness, etc.) of privilege that the inheritors and signers of these power-systems must not only be noticed and discussed, but completely re-arranged, in order to alter the makeup of the philosophical body that suffers from these hate-filled diseases.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;b&gt;&lt;span style="font-size: 12pt; line-height: 200%;"&gt;THE TURN&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Garamond; font-size: 12pt; line-height: 200%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            That the philosophical body contains (and transmits) hate-filled diseases does not completely eliminate the other planes and fields of ideation that the previously implicated philosophers registered into the world.  Kant’s ideas, along with Hume, Voltaire, Locke, Jefferson, etc. ushered in Modernity and notions of individual freedom.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            The same goes for Martin Heidegger, reintroducing Aristotle’s most notated question:  &lt;i&gt;What is being&lt;/i&gt;?  Answering this question, or as Heidegger’s terms it -- his “life’s work” -- serves as an example of how to properly pose the &lt;i&gt;asterisk&lt;/i&gt; of racist silence but continue to inspect the philosophical benefit a reader or thinker may experience from the absorption of the breadth of &lt;i&gt;a&lt;/i&gt; possibly-racist philosopher’s ideas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Damon Linker writes that Heidegger “possessed the most powerful philosophical mind of the twentieth century.  If he had written nothing besides &lt;i&gt;Being and Time&lt;/i&gt; (1927), he would deserve to be recognized as Europe’s greatest philosopher since the death of G.W.F. Hegel in 1831.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn11" name="_ednref11" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[xi]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  Later, Linker declares (out of this re-surfacing pro-Nazi backslash ) that “moral disgust does not relieve a reader -- let alone a critic -- of the burden of intellectual engagement.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn12" name="_ednref12" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[xii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            If one were to look at &lt;i&gt;philosophy,&lt;/i&gt; sans-Heidegger, he or she may find a very bulky blank spot, let alone would not get to examine Heidegger’s philosophical disagreements with Kant’s critical idealism, favoring critical realism to the more conjunctive spirit-of-idea notion Kant belabored.  Even the pragmatist Cornel West acknowledges this potential blank-space, enlightening us that “Despite his abominable association with the Nazis, [MH’s] project is useful in that it discloses the suppression of temporality and historicity in the more dominant metaphysical systems of the West from Plato (and Aristotle) to Rudolf Carnap.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn13" name="_ednref13" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[xiii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            The centrifugal concern for Heidgger, the question of being, since its Greek derivation, took &lt;i&gt;time&lt;/i&gt; as its nuisance.  Plato, in discussing &lt;i&gt;forms&lt;/i&gt;, can be seen to discuss &lt;i&gt;time&lt;/i&gt; as atemporal, or even eternal; but, he does in the sense of &lt;i&gt;presence&lt;/i&gt;, so &lt;i&gt;time&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;in the usual Platonic sense, is seen as &lt;i&gt;presence&lt;/i&gt;.  In reviving the question of &lt;i&gt;being&lt;/i&gt;, the question of &lt;i&gt;time &lt;/i&gt;must also be revived.  Heidegger resuscitates &lt;i&gt;the &lt;/i&gt;being who even makes conscious the question, the being (&lt;i&gt;Dasein&lt;/i&gt;) that is conscious enough to &lt;i&gt;ask&lt;/i&gt; &lt;i&gt;the&lt;/i&gt; &lt;i&gt;question&lt;/i&gt;.  “We have forgotten what Being is, and we have even forgotten this forgetting.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn14" name="_ednref14" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[xiv]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;  This goes on to influence Jean-Paul Sartre, among countless others, in their work to boil the various notions of ontological meaning in both &lt;i&gt;existence&lt;/i&gt; and &lt;i&gt;essence&lt;/i&gt;.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            This is the most striking inquiry there is, thus the &lt;i&gt;ontological &lt;/i&gt; and &lt;i&gt;essential &lt;/i&gt;notions it possesses within its questioning process which then make &lt;i&gt;the&lt;/i&gt; question (of being) relevant to all faculties (sciences, etc.) that “matter” to human beings (in general, as opposed to &lt;i&gt;Dasein&lt;/i&gt;).  Existence, prior to Heidegger’s re-framing of the picture, was transitive (according to Arsitotlian scholars) and Heidegger re-made that (in slightly similar fashion to Soren Kierkegaard) thin, clear sheet into something darkened, perceptively-altering, yet somehow still clear -- &lt;i&gt;thrownness&lt;/i&gt;.  Thrownness is a sort of pressurized primary experience (for individual beings) that ensues out of the fugitive nature of Time.  &lt;i&gt;Time&lt;/i&gt; is sort of like a curtain with nothing behind it, as Safranski tells it, “The meaning of Being is Time; but Time is not a cornucopia of gifts, it gives us no content and no orientation.  The meaning is Time but Time ‘gives’ no meaning.”&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn15" name="_ednref15" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;[xv]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;   For Aristotle, &lt;i&gt;time &lt;/i&gt;was significant and held central features; however, for Heidegger, that version of &lt;i&gt;time&lt;/i&gt; is more like “the world” or social place of human interaction, the place of holidays and calendars and conversation.  Hence the notion that human beings do not live &lt;i&gt;in&lt;/i&gt; time but human beings, indeed, &lt;i&gt;live &lt;/i&gt;time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            The elephant in the room sits between the door frames.  Heidegger was not only supportive of the Nazi regime, but entered a long period of silence after the end of World War II.  His support is clear example of &lt;i&gt;overt&lt;/i&gt; ethnocentrism and racism; his silence is clear interaction and engagement of his hierarchical &lt;i&gt;privilege, &lt;/i&gt;a more covert action from which any critic or reader is absolutely unable to decipher any apology, etc.  This is the troublesome character of &lt;i&gt;silence&lt;/i&gt;.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Nazi silence as well as Nazi deterministic genocide, to California professor and social-psychologist, Zevedei Barbu, is a facet of German ideological society from the time of the arrival of Hitler‘s &lt;i&gt;reich&lt;/i&gt;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;During the period of the rise of Nazism the German nation lived in unique conditions of stress and security . . . [and to put this in further perspective] It should be mentioned in the first place that industrial society has a great capacity for creating sociopath groups. . . The main pathological symptoms shown by German society during and immediately preceding Nazism is that of a &lt;i&gt;sociopath group&lt;/i&gt;. . . Feelings of insecurity lead to a morbid urge for self-assertion of the group.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn16" name="_ednref16" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 10pt;"&gt;[xvi]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-align: justify;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;Perhaps the most interesting mechanism of irony here, is that MH may disagree with these notions because, in fact, &lt;i&gt;Dasein&lt;/i&gt; is capable of altering its being as it is the complex thought-thinking circumstance of its own &lt;i&gt;essential&lt;/i&gt; control.  However, Barbu identifies &lt;i&gt;industrialization&lt;/i&gt; (technological progress, mass labor) as the culprit for creating “sociopath groups,” a group that would have included Heidegger, who would certainly, in an unaligned way, agree with this notion in the sense that modern technology digresses and regresses &lt;i&gt;Dasein&lt;/i&gt;’s own progress.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            The paradoxical nature of this very thing -- that Heidegger wants &lt;i&gt;Dasein&lt;/i&gt; to further enter its own existence while being regressed by the onslaught of modern technology which is overturning the simple dwelling and oneness of things as peasants long ago experienced -- is palpably tied into the previously mentioned notions of &lt;i&gt;tacitly &lt;/i&gt;racist behavior and hierarchical privilege, in that MH supports the idea of an essential human figure (&lt;i&gt;Dasein&lt;/i&gt;) while laying claim (through teaching, lecturing, speaking, and writing at the behest of Adolf Hitler and his murderous supporters) that one group of people can determine the fate of another group of people.  One could then critique Heidegger’s philosophical ideas with Heidegger’s realistic actions.  If a man, a generic human individual (&lt;i&gt;das Man&lt;/i&gt;) abides by a culturally-created facet (like hate speech, let alone a concentration camp, or a slave plantation) and wantonly carries out the duties of the everyday &lt;i&gt;they&lt;/i&gt;, then is that generic human individual (whether attempting &lt;i&gt;Dasein&lt;/i&gt; or not) simply part of the &lt;i&gt;das Man&lt;/i&gt; problem?  To repose, the &lt;i&gt;they&lt;/i&gt;, according to MH, makes &lt;i&gt;Dasein&lt;/i&gt; inauthentic and &lt;i&gt;fallen&lt;/i&gt;; so, if one is not rising above the everyday (in this case, Nazi genocide camps) by not keeping silent, by &lt;i&gt;not &lt;/i&gt;acting like what MH terms as “nobodies,” then that person becomes a “nobody.”  Perhaps this is why Jean-Paul Sartre wrote what he wrote in the introduction to Franz Fanon’s &lt;i&gt;Wretched of the Earth&lt;/i&gt;, as he perhaps found radicalized social action to be a way toward alleviating one’s own nothingness as well as to exit from the inauthentic &lt;i&gt;they&lt;/i&gt;.  This may also be why MH opted out for so long and grew silent following World War II.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;            Emmanuel Faye, among other thinkers and critics that want to enshrine Heidegger with the cape of hatred, seem to suffer from socio-historical memory loss.  This is represented well by the word &lt;i&gt;the&lt;/i&gt; when referring to the Nazi Genocide on Jewish and African peoples -- socially-deemed &lt;i&gt;the &lt;/i&gt;Holocaust -- as though it were the only one, the singular genocidal act to occur out of and within modernity, if not ever. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt;"&gt;            &lt;/span&gt;&lt;span style="font-family: Garamond;"&gt;This represents an astonishing &lt;i&gt;white amnesia &lt;/i&gt;about the actual historical record. Likewise, the despairing question of how there can &lt;i&gt;be&lt;/i&gt; poetry after Auschwitz evokes the puzzled non-white reply of how there could have been poetry &lt;i&gt;before&lt;/i&gt; Auschwitz, and &lt;i&gt;after &lt;/i&gt;the killing fields in America, Africa, Asia.  The standpoint of Native American, black Africa, colonial Asia, has always been aware that European civilization rests on extra-European barbarism, so that the Jewish Holocaust is by no means . . . an unfathomable anomaly in the development of the West, but unique only in that it represents [a violence of Europeans] &lt;i&gt;against&lt;/i&gt; [other] Europeans.&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_edn17" name="_ednref17" title=""&gt;&lt;sup&gt;&lt;sup&gt;&lt;span style="font-family: Garamond; font-size: 10pt;"&gt;[xvii]&lt;/span&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%;"&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;If, once and for all, &lt;i&gt;full&lt;/i&gt; humanity realizes the long spherically-historic errors of their/our ways and subjugates hatred and non-understanding of/for/from other human beings by providing the proper asterisks to the proper philosophers, then the scope of this dialectical process toward further social evolution can continue.  If not, dialogue ceases and enormous blank spaces of ideology are opened up to complete disregard.  Nothing about any philosopher should be ignored.  All should be taken into account.  Otherwise, the danger of the hidden re-surfacing may occur, as did when Hitler came to power.  Ignoring anything enters persons into forgetfulness, into amnesia, while simultaneously, the current and past branch of racial and ethnocentric hierarchies keep all sides of dialogue out of tact&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;silence is exercising privilege&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Garamond; font-size: 11pt; line-height: 200%;"&gt;, just like when Heidegger gave a lecture regarding racism and hate being a necessity.  This is the perpetual admonishing that can be completed through responsible acceptance, pragmatic praxis as well as and most importantly, &lt;i&gt;non-silence.  &lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0in 0.5in 0.0001pt; text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Garamond;"&gt;                &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;hr align="left" size="1" width="33%" /&gt;&lt;div id="edn1"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref1" name="_edn1" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[i]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;   Romano, Carlin. “Heil Heidegger,” &lt;i&gt;The Chronicle of Higher Education&lt;/i&gt;. 10/16/2009&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn2"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref2" name="_edn2" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[ii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;   Mills, Charles W.  “Contract of Breach: Repairing Racial Contractarianism.” Department of Philosophy at the University of Illinois at Chicago presentation, 2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn3"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref3" name="_edn3" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[iii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;   Charles W. Mills, &lt;i&gt;The Racial Contract&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn4"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref4" name="_edn4" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[iv]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;   Immanuel Kant &lt;i&gt;Observations On the Feeling of the Beautiful and Sublime&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn5"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref5" name="_edn5" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[v]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;   Patricia Cohen, “An Ethical Question: Does a Nazi Deserve a Place Among Philosophers?” &lt;i&gt;New York Times&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn6"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref6" name="_edn6" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[vi]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Aristotle, &lt;i&gt;The Politics&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn7"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref7" name="_edn7" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[vii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Richard Dyer, “The Matter of Whiteness.” &lt;i&gt;White Privilege&lt;/i&gt;, ed. Paula Rothenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn8"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref8" name="_edn8" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[viii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Tim Wise, “Membership Has Its Privileges: Thoughts on Acknowledging and Challenging Whiteness.” &lt;i&gt;White Privilege&lt;/i&gt;, ed. Paula Rothenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn9"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref9" name="_edn9" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[ix]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Immanuel Kant. &lt;i&gt;Kant’s Selected Writings, Letters, and Lectures&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn10"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref10" name="_edn10" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[x]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Charles W. Mills, &lt;i&gt;The Racial Contract&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn11"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref11" name="_edn11" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xi]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Damon Linker, “Why Read Heidegger,” &lt;i&gt;The New Republic &lt;/i&gt;11.1.2009&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn12"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref12" name="_edn12" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Ibid.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn13"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref13" name="_edn13" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xiii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Cornel West, &lt;i&gt;Keeping Faith&lt;/i&gt;: &lt;i&gt;Philosophy and Race in America&lt;/i&gt;. P 16. 1993 Routledge Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn14"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref14" name="_edn14" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xiv]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Rudiger Safranski, &lt;i&gt;Martin Heidegger  &lt;/i&gt;p 150.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn15"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref15" name="_edn15" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xv]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Ibid, 153.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn16"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref16" name="_edn16" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xvi]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Zevedei Barbu, “The Uniqueness of the German Psyche” in &lt;i&gt;The Nazi Revolution: Germany’s Guilt or Germany’s Fate?&lt;/i&gt;.  Ed. John L. Snell, Heath and Co. pp 85-89.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="edn17"&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=5742425796144821732#_ednref17" name="_edn17" title=""&gt;&lt;sup&gt;&lt;span style="font-size: 12pt;"&gt;&lt;sup&gt;&lt;span style="font-family: &amp;quot;; font-size: 12pt;"&gt;[xvii]&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;span style="font-size: 8pt;"&gt;  Mills, &lt;i&gt;The Racial Contract &lt;/i&gt;pp 102-103.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; 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&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Garamond; font-size: 14pt; font-variant: small-caps;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div id="edn17"&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 8pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-7246983275882278454?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/7246983275882278454/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/02/toe-to-toe-with-frenchie.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/7246983275882278454'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/7246983275882278454'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/02/toe-to-toe-with-frenchie.html' title='Toe to Toe with a Frenchie.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9w7DQx-c8jQ/S4G43gDwrVI/AAAAAAAAAD0/q-i6fZ5Uftg/s72-c/01-07-07_1017.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-7357998308536413926</id><published>2010-02-03T09:57:00.000-05:00</published><updated>2010-02-03T09:59:01.763-05:00</updated><title type='text'>CONCEPTUALISMS. Me and Fitterman.</title><content type='html'>Here is the first round, at least, of a project I worked decently tough on with Robert Fitterman. Check it out. Thanks surf-face.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://coldfrontmag.com/reviews/notes-on-conceptualisms"&gt;http://coldfrontmag.com/reviews/notes-on-conceptualisms&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://coldfrontmag.com/features/spotlight-robert-fitterman"&gt;http://coldfrontmag.com/features/spotlight-robert-fitterman&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I am waiting to find out if publication in BOMB and possibly the Poetry Foundation are to occur.&lt;br /&gt;&lt;br /&gt;Peace.&lt;br /&gt;Ken L. Walker&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-7357998308536413926?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/7357998308536413926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2010/02/conceptualisms-me-and-fitterman.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/7357998308536413926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/7357998308536413926'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2010/02/conceptualisms-me-and-fitterman.html' title='CONCEPTUALISMS. Me and Fitterman.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-6988484659489257193</id><published>2009-11-17T19:16:00.000-05:00</published><updated>2009-11-17T19:34:36.827-05:00</updated><title type='text'>LETTER HOME Reading Series (Second Sequel, AKA Vol. 3)</title><content type='html'>This is the third installment of the Letter Home Reading Series. Word. Word is spreading fast (not quite like H1N1, but you know?) and running redlights. This Tuesday, November 24, at 7pm, Alice James Books has found its way to Brooklyn all the way from icy Maine...&lt;br /&gt;&lt;br /&gt;I cannot tell you how wondrously wanderingly wonderful it is to host these human beings (who happen to write fiction and poetry):&lt;br /&gt;&lt;br /&gt;SELECTED READERS&lt;br /&gt;&lt;br /&gt;Tim Carroll&lt;br /&gt;Nikita Nelin&lt;br /&gt;&lt;br /&gt;FEATURED READERS&lt;br /&gt;&lt;br /&gt;Carey Salerno  (Shelter, AJB)&lt;br /&gt;Cynthia Cruz   (Ruin, AJB)&lt;br /&gt;Bill Rasmovicz  (The World In Place of Itself, AJB)&lt;br /&gt;Idra Novey   (The Next Country, AJB)&lt;br /&gt;&lt;br /&gt;We will begin promptly at 7 pm, possibly 7:02. I know that it is the Tuesday before Thanksgiving, but you will be missing this one-two hit. Please come, have a drink at the oldest bar in Fort Greene, stick around for the jazz, and in the middle, hear some great wordsmiths smith all over the crowd.&lt;br /&gt;&lt;br /&gt;Peace.&lt;br /&gt;Ken L. Walker (your host).&lt;br /&gt;&lt;br /&gt;P.S. The blog program is not allowing the posting of photographs for some EFFed up reason, so please visit this facebook page for further information:  &lt;a href="http://www.facebook.com/profile.php?id=2521244#/event.php?eid=181935972101&amp;amp;ref=mf"&gt;http://www.facebook.com/profile.php?id=2521244#/event.php?eid=181935972101&amp;amp;ref=mf&lt;/a&gt;&lt;a href="http://www.facebook.com/profile.php?id=2521244#/event.php?eid=181935972101&amp;amp;ref=mf"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-6988484659489257193?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/6988484659489257193/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/11/letter-home-reading-series-second.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/6988484659489257193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/6988484659489257193'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/11/letter-home-reading-series-second.html' title='LETTER HOME Reading Series (Second Sequel, AKA Vol. 3)'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-310935570870763232</id><published>2009-10-22T20:21:00.000-04:00</published><updated>2009-10-22T20:24:20.597-04:00</updated><title type='text'>"Shelter" review picked up by Boxcar Poetry Review.</title><content type='html'>&lt;a href="http://www.boxcarpoetry.com/022/review_carey_salerno_walker.html"&gt;http://www.boxcarpoetry.com/022/review_carey_salerno_walker.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This was a difficult book to review, the review itself published by both &lt;span style="font-style: italic;"&gt;ColdFront &lt;/span&gt;and &lt;span style="font-style: italic;"&gt;Boxcar Poetry Review&lt;/span&gt;.  Salerno is, doubtlessly a talented poet and she attempted to highlight human violence and torture by utilizing a conceptual lens of animal cruelty.&lt;br /&gt;&lt;br /&gt;Enjoy.&lt;br /&gt;Thank you.&lt;br /&gt;&lt;br /&gt;Ken L. Walker&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-310935570870763232?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/310935570870763232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/10/shelter-review-picked-up-by-boxcar.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/310935570870763232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/310935570870763232'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/10/shelter-review-picked-up-by-boxcar.html' title='&quot;Shelter&quot; review picked up by Boxcar Poetry Review.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-9066067207480445560</id><published>2009-10-16T14:04:00.000-04:00</published><updated>2009-10-19T00:14:34.782-04:00</updated><title type='text'>LETTER HOME Reading Series Vol. II</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9w7DQx-c8jQ/Sti3yLrcKvI/AAAAAAAAADY/NJKbbb1-zCQ/s1600-h/gview.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://3.bp.blogspot.com/_9w7DQx-c8jQ/Sti3yLrcKvI/AAAAAAAAADY/NJKbbb1-zCQ/s320/gview.png" alt="" id="BLOGGER_PHOTO_ID_5393262626532502258" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9w7DQx-c8jQ/Sti34PjW4cI/AAAAAAAAADg/W5D6mvS8ixo/s1600-h/letter+home2.2.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://1.bp.blogspot.com/_9w7DQx-c8jQ/Sti34PjW4cI/AAAAAAAAADg/W5D6mvS8ixo/s320/letter+home2.2.png" alt="" id="BLOGGER_PHOTO_ID_5393262730651558338" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;"&gt;I am very much looking forward (what an odd turn of expression, as if any of us have eyes in the backs of our heads) to this second installment of the LETTER HOME Reading Series.  The first series went well, with about 50 people attending.  Frank's Lounge is felt around the world, unanimously, as the dopest spot in town to host a poetry reading. No one carried a single complaint out the door.  Although, the bar is CASH ONLY (b-t-w).&lt;/span&gt;  &lt;span style="font-family:times new roman;"&gt;&lt;p&gt; Anywhom, hosting &lt;/p&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:times new roman;" &gt;Chris Martin&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; (of &lt;/span&gt;&lt;span style="font-style: italic;font-family:times new roman;" &gt;American Music&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; fame, Copper Canyon Press, no slouch) and &lt;/span&gt;&lt;span style="font-weight: bold;font-family:times new roman;" &gt;Mary Austin Speaker&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; (co founder of the Triptych Reading Series, who this year will host John Ashbery, Charles Wright, and many other fantastic poets) is going to be one of the greatest honors I have had yet, living in New York City. &lt;p&gt; Not to mention, my friends and colleagues: &lt;/p&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:times new roman;" &gt;Michelle DuPre, Nora Fussner, Curtis Jensen, Connie Mae Oliver, and Yun Wei&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;will be spouting and spewing their nuclear fire as well.&lt;/span&gt;  &lt;span style="font-family:times new roman;"&gt;&lt;p&gt; Here is the Facebook link:  &lt;a href="http://www.facebook.com/event.php?eid=154991489375&amp;amp;ref=nf"&gt;http://www.facebook.com/event.php?eid=154991489375&amp;amp;ref=nf&lt;/a&gt;&lt;/p&gt;&lt;/span&gt;  &lt;span style="font-family:times new roman;"&gt;&lt;p&gt;Please pass it along and invite whomever you choose.  We will have advertisements with FREENYC, Brooklyn Vegan and TimeOut. &lt;/p&gt;&lt;p&gt; Hold up the golf-flag of poetry.&lt;/p&gt;&lt;/span&gt; &lt;p&gt; Ken L. Walker&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-9066067207480445560?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/9066067207480445560/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/10/letter-home-reading-series-vol-ii.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/9066067207480445560'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/9066067207480445560'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/10/letter-home-reading-series-vol-ii.html' title='LETTER HOME Reading Series Vol. II'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9w7DQx-c8jQ/Sti3yLrcKvI/AAAAAAAAADY/NJKbbb1-zCQ/s72-c/gview.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-6199075676322875007</id><published>2009-09-16T10:56:00.000-04:00</published><updated>2009-09-16T11:14:41.037-04:00</updated><title type='text'>LETTER HOME reading series.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9w7DQx-c8jQ/SrEA0HV0LDI/AAAAAAAAADQ/00HUFmxvtgg/s1600-h/gview2.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://4.bp.blogspot.com/_9w7DQx-c8jQ/SrEA0HV0LDI/AAAAAAAAADQ/00HUFmxvtgg/s320/gview2.png" alt="" id="BLOGGER_PHOTO_ID_5382083925008198706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9w7DQx-c8jQ/SrEAi3IvSaI/AAAAAAAAADI/Mhg1rSl8xKw/s1600-h/gview.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 247px;" src="http://2.bp.blogspot.com/_9w7DQx-c8jQ/SrEAi3IvSaI/AAAAAAAAADI/Mhg1rSl8xKw/s320/gview.png" alt="" id="BLOGGER_PHOTO_ID_5382083628600609186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This is the first ever reading series I have curated; and, while it is incredibly stressful (much more than Legos) to put together, hopefully the payoff will be big (not financially).&lt;br /&gt;&lt;br /&gt;This month's Selected Readers are:&lt;br /&gt;&lt;br /&gt;Ian Parfrey&lt;br /&gt;Nickolas Henderson&lt;br /&gt;Jenny Williams&lt;br /&gt;Gloria Munoz&lt;br /&gt;&lt;br /&gt;and the Featured Readers:&lt;br /&gt;&lt;br /&gt;Sharon Mesmer&lt;br /&gt;Paul Beatty&lt;br /&gt;&lt;br /&gt;It is an honor to be able to host these folks, no doubt, but even more, a year and a half ago (in keeping with humility) I never thought anything like this could be done, at least not by me. Apparently, the first person plural is capable of more. This will be fiction and poetry and Frank's Lounge is one of the better, more chilled out atmospheres in the historic, architecturally inclined Fort Greene neighborhood.&lt;br /&gt;&lt;br /&gt;Here is the Facebook invite...  Share it if you will.&lt;br /&gt;&lt;a href="http://www.facebook.com/home.php?#/event.php?eid=140230982535&amp;amp;ref=nf"&gt;http://www.facebook.com/home.php?#/event.php?eid=140230982535&amp;amp;ref=nf&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-6199075676322875007?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/6199075676322875007/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/09/letter-home-reading-series.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/6199075676322875007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/6199075676322875007'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/09/letter-home-reading-series.html' title='LETTER HOME reading series.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9w7DQx-c8jQ/SrEA0HV0LDI/AAAAAAAAADQ/00HUFmxvtgg/s72-c/gview2.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-3346348530832473016</id><published>2009-09-09T15:40:00.001-04:00</published><updated>2009-09-09T15:41:29.458-04:00</updated><title type='text'>An archive from old reading.</title><content type='html'>This is just to archive it.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://southernwritersny.wordpress.com/2009/03/25/reading-april-8-2009/"&gt;http://southernwritersny.wordpress.com/2009/03/25/reading-april-8-2009/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Don't bore yourself, you have no right.  Kierkegaard paraphrasings are fun.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-3346348530832473016?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/3346348530832473016/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/09/archive-from-old-reading.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/3346348530832473016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/3346348530832473016'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/09/archive-from-old-reading.html' title='An archive from old reading.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5742425796144821732.post-2406904141665385608</id><published>2009-08-12T11:23:00.001-04:00</published><updated>2009-08-19T12:58:51.455-04:00</updated><title type='text'>The New Design.</title><content type='html'>&lt;span style=";font-family:georgia;font-size:85%;"  &gt;COLDFRONT, the blog and magazine I review new books of poetry for, has altered its format and I would (personally) like to know how anyone feels about the aesthetic, graphic design, and general strategy of the site. ---&gt; &lt;a href="http://www.codlfrontmag.com/"&gt;&lt;/a&gt;&lt;a href="http://coldfrontmag.com/"&gt;ColdFront  &lt;/a&gt;&lt;---  Feel free to e-mail me any comments.  KLConscious@gmail.com  Thank you people. Ken L. Walker&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5742425796144821732-2406904141665385608?l=transsugar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transsugar.blogspot.com/feeds/2406904141665385608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transsugar.blogspot.com/2009/08/new-design.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/2406904141665385608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5742425796144821732/posts/default/2406904141665385608'/><link rel='alternate' type='text/html' href='http://transsugar.blogspot.com/2009/08/new-design.html' title='The New Design.'/><author><name>Ken L. Walker</name><uri>http://www.blogger.com/profile/15543881966461058387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_9w7DQx-c8jQ/S9nnfYQIVxI/AAAAAAAAAEM/zhy73xmtIJs/S220/THE+END+OF+448+15+ST.+Brewster.+Nashville.+Louisville.+ipod+099.JPG'/></author><thr:total>0</thr:total></entry></feed>
